With the advancement of technology and computers becoming increasingly powerful, questions inevitably arise as to whether a computer running an artificial intelligence (“AI”) program is smart enough to be not only a tool, but its own master in the creation process, and whether the user behind the screen exercised any selection and judgment while using the AI program. The Beijing Internet Court has recently addressed this question and offered its own view.[2]

The facts of this case are relatively simple – the plaintiff, Li, generated a portrait using an AI image generator “Stable Diffusion”. The defendant, Liu, took the image and published it on her social media page without authorisation from Li. A finding of infringement would be straightforward, except as to whether the AI-generated portrait is itself a copyrightable work. In this particular case, Li was able to show to the court that he carefully selected a suitable image database, entered more than 30 textual prompts and 100 negative prompts (to exclude undesirable features), as well as fine-tuning various parameters to arrive at the final photo. The plaintiff was also able to demonstrate to the court that any change in one of the prompts or parameters would result in a different picture. Hence, the court was convinced that the final image constituted an expression of the plaintiff’s idea and had originality. Interestingly, the judge in this case made an analogy of taking a picture with a smartphone (in which case the photographer rather than the phone is the author), echoing the view of that English Court 38 years ago that it is the person driving the pen that is the author.

As seen from the above cases, the key issue with respect to AI-generated work has always been the degree of human input and control in creating the work, and the Chinese courts are more than willing to award copyright protection in cases where the AI program is merely used as a tool for reducing the author’s idea into a tangible expression. Nevertheless, we do expect this old question on the copyright protection of computer-generated work to be asked again and again, forcing the courts continuously to refine the line on the threshold of human input required.


[1] Express Newspapers Plc v Liverpool Daily Post & Echo Plc [1985] 3 All E.R. 680.

[2] (2023) 京0491民初11279号.

[3] (2018) 京0491民初239号.

[4] (2019) 粤0305民初14010号.